Without Silence: An imagined voice

A few weeks ago Cobalt Review posted a photograph of a young, pregnant woman with a small child beside her, awaiting the return of her husband after a twelve month absence. They asked for people to send in a piece from the point of view of the husband.

Interesting.

Cobalt Review - Photo Prompt for WritingI wrote a short piece, and enjoyed writing it, but really, what interested me was the point of view of the baby. If the baby could speak. And it makes me think about the silence of children’s voices – how society silences them – and how the world would be a different place without the imposition of silence.

Here’s what I wrote:

 

My first word: Papa.

Between drooling and gurgling, Papa rolls off my tongue far easier than Daddy.

In my wailing and naming I give the game away: his brown eyes turned blue in mine.

*

Before he came home, as she wrote three words on her skin: Welcome home Daddy.

The pressure of each letter resonated along my spinal chord. I kicked hard and her hand slipped on the word ‘Daddy’. I was so large she couldn’t tie her own laces.

*

He was never good at math.

She was never good at solitude.

*

I knew it was time for me to meet the man for whom she’d cried those tears, the man from whom she’d hidden those high, intense emotions, her joyful cry a sparkle in my eye.

*

I push with the crown of my head and her fingers curl around that smooth browned belly. Her heart rate quickens, her right hand feels the heat of her skin, her mouth between a cry and a tear.

*

And beside her, the boy I will call brother. Twelve months, long and lonely.

There is no failure, there is only hope and life.

Waste Not, Want Not: Using all of the eggs!

In my last post The Warm Coat of Nostalgia: With a blue sky in sight, I wrote about how I was getting on with my four course meal cooked from recipes in Warm Bagels and Apple Strudel: Over 150 Nostalgic Jewish Recipes by Ruth Joseph and Simon Round.

And so, the gardening was great – a bit of fresh air, down on the ground, reconnecting with ‘things’, getting away from the heavy duty mind work that goes on during the week. It made the children starving for their dinner. And I must admit, I was pretty hungry myself.

The soup, as I said after having it for lunch, was delicious. And later, for the starters, it was even tastier.

And the main course – The Leek and Pea Pie was just outstanding. Moist, tasty and filling.

Leek and Pea Pie with Garden Salad

With a fresh green salad with a rapeseed oil and lemon dressing, it was a hearty meal. One of the great things about this ‘pie’ is that it is a pie without pastry, without any sort of crust at all. Yet, because of the eggs, a slice of it is substantial enough for a good dinner. And the pie and salad even went well with a good glass of red. This will be one of my favourites, one I’ll be making for guests for years to come.

So, let me tell you about the dessert. The dessert that changed from the Peach Cobbler into Coconut Clouds.

You see, the Leek and Pea  used 6 organic eggs as well as the yokes of 6 organic eggs. And I wondered what I’d do with the 6 organic egg whites. I flicked through Warm Bagels and Apple Strudel and there, on page 221, was a recipe for Meringue Pillows with a variant of Coconut Clouds. I happened to have a bag of dessicated coconut in the press which I quickly put to roast and set about whipping the egg whites. What a great way to use all the ingredients without having to leave anything sitting around in the fridge to eventually be thrown out. (This is something that bugs me big time).

Slim Coconut Clouds but Delicious nonetheless!

And so, a delicious lunch, a superb dinner all from three recipes from Warm Bagels and Apple Strudel. This is definitely a book to which I’ll return.

(In fact, tomorrow, to be precise, I’ll give that Peach Cobbler a go – can’t resist the memory of the cobbler in the Roman Polanski film adaptation of Yazmina Reza’s play Carnage. Except, of course, mine won’t play any part in vomitting guests!)

 

And now: to writing, to rescue those paragraphs, those sentences that have been waiting to be used in those little folders of mine….one on the PC, one with two filled notebooks. As I say, Waste Not, Want not….

The Warm Coat of Nostalgia: with a blue sky in sight

In my last post When March is like May then May will be March  I wrote about the bad weather and how I was going to cook a four course meal from  Warm Bagels and Apple Strudel: Over 150 Nostalgic Jewish Recipes by Ruth Joseph and Simon Round.

Well, the weather has changed: it’s still cold, alright, but the sky is blue and the light is bright. So, I’ve amended my plans accordingly.

I’ve started on the Falafel with Grated Cabbage: I’ve shredded the white cabbage, salted it and have it in the fridge, resting, until tomorrow. I’ve got the chick peas ready and a large new gram flour sitting on the counter. There are things I need to do to these ingredients before I can use them to cook. I should have read the recipe properly yesterday…the meal has now shrunk to three courses.

 

Veggies for Mervyn's Roast Tomato Soup (out of shot: the red pepper)

But that’s just fine because not only have I made the Tomato Rice Soup but we have already sampled it for our lunch. The photo doesn’t do it justice, but trust me, the taste did. The recipe was easy to follow and the soup was delicious.

As my husband said “Wow. Wow. Wow. That’s health in a bowl.”

As I said “the scent of tomatoes, the rich taste of the roasting, de-lish-ous.”

 

Mervyn's Roast Tomato Soup - Delicous for all the senses!

The Leek and Pea Pie is cooking and looking great. The smells of good food made with fresh ingredients weaves its way through the house. The cat is wandering around sniffing, hoping there is something for him.

And now it’s time to garden. The Peach Cobbler will be made later in the day, when the dusk comes and we’re warm with tiredness. I may even have a glass of wine and return to reading…

The warm coat of nostalgia is just perfect.

When March is like May then May will be March: Cooking and Baking

It’s the bank holiday weekend in May. The weather isn’t the best – it reminds me of an old saying from North West Spain:

Cuando Marzu Mayea,Mayu Marcea (When March is like May then May will be March)

This year, it’s a pretty accurate one! So this weekend will be spent between the oven and the garden. Creating things with my hands.

A few weeks ago a wonderful cookery book arrived through the letterbox:

Warm Bagels and Apple Strudel: Over 150 Nostalgic Jewish Recipes by Ruth Joseph and Simon Round.

I’d just come back from Krakow where I’d stayed in the beautiful Kazimierz district and sampled many fine dishes – traditional and modern takes on Jewish cooking. I’d been particularly taken with the soups and pastries and flicking through Joseph’s book I was ready to try and recreate these at home. Yesterday I made Vanilla and Almond Kipferl. Easy to make; delicious to eat!

I began thinking seriously about the meaning of the book: I know little or nothing about Jewish food or cooking so the idea of any of the recipies being ‘nostalgic’ was not going to play a part in my culinary experience. And yet.

I say, AND YET. Reading the wonderfully poetic introduction, I found myself rememebering my very Irish equivelent of the dishes (my mother’s brown bread, my father’s fish dishes, my granny’s scones). I found myself feeling terribly…well, nostalgic.

Maybe, I thought, maybe that was just it – the food itself rather than the complex histories that lie behind it. Joseph writes that nostalgia

embraces the past like a warm coat – a source of comfort during times of sadness….every Jewish meal is tradition mixed with experiment and discovery.

So much of what is contained in this beautifuly produced book will ring true for anyone with a hankering (or longing, even) for the comfort that home-baked food brings. It’s a book, I feel, not only for those who know and love Jewish food but for those, like me, who wish to enjoy the feel of creating new dishes with familiar ingredients.

So here’s my exciting task this weekend. After much flicking and reading and thinking, tomorrow I will make:

 Starters Falafel with Grated Cabbage AND

Tomato Rice Soup

Mains Leek and Pea Pie

Dessert Peach Cobbler

Wish me fun, luck and… a warm coat of nostalgia.

 

My Most Beautiful Thing: Hope in a Lock of Love

Locks of Love

In my blog on 17 April, I wrote about my attempts to write about ‘My Most Beautiful Thing.’ The truth is, I haven’t written much at all since then. A few lines. Some small edits.

Today I’m taking part in the My Most Beautiful Thing Blogsplash to celebrate beautiful things – inspired by Fiona Robyn’s new novel, The Most Beautiful Thing. Bloggers from all over the world are taking part and writing or posting pictures of their most beautiful things today. Find out more here and see everyone else’s blog posts here.

I haven’t been writing, but I’ve been doing lots of reading. Reading is good. Reading lifts your spirits. I’ve been reading Suzanne Power’s Heart Lines and this will be followed by Fiona Robyn’s novel, The Most Beautiful Thing. My fiction treat is Vanessa Gebbie’s The Coward’s Tale. I’ve been eyeing it on my pile for a few months now, looking forward to hearing that Welsh lilt.

All of these books have something in common (at least in my current eyes): the struggle for meaning, our attempts to make sense of the world, the places in it and the strange places where we find ourselves. So how is this related to my blogsplash of My Most Beautiful Thing, I hear you ask?

Within all of these struggles there is hope.

 

No matter how meaning fails us, how much the fog of the morning blocks your view of the beauty of what lies ahead, hope is just over the horizon. Consider this photo I took of the Bernatek footbridge in Krakow, Poland.

My shadow and locks of love on the Bernatek footbridge, Krakow, Poland

Krakow is a city with such a past of suffering that, for me, the locks of love attached to the structure of the bridge show such a wonderful optimism and the hope of a nation which once had very little.

So the beautiful thing is not in itself the most beautiful thing (after all, how do we quantify hope-as-beauty?) but that which it represents:

Being hopeful, having hope but most of all creating hope is my very most beautiful thing.

 

My Most Beautiful Thing – The Preparation

Like a lot of writers I know, I love a challenge. Especially when you’re right in the middle of a pause in your own writing. Note that I didn’t say a writing pause – because I am still writing  – but there is a stillness to it, which means that the spark is, well…gone. So a challenge is good to get the old juices flowing.

Fiona Robyn has challenged writers to

write a post about your Most Beautiful Thing….You can post a photo of your most beautiful thing, a poem, a descriptive piece or whatever you like. Your thing can be an object, a person, a place, a memory or a philosophy/ideal (e.g. love).

Easy. Right? Well, not quite. I’ve started thinking what I might write about. I thought about beautiful things in my life:

the birth of a baby;

the astonishment on a boy’s face as he reads a word aloud – it’s magic, he cries;

the lick of lips tasting raspberry chocolate cake;

enjoying a newly discovered tea in the sun in a strange and beautiful city.

I thought about writing about these things. Or notions or versions of them. But there’s nothing. Nothing but the stereotypical (to paraphrase Paul Auster) nothing but a woman sitting alone in a room and writing a book. Except I’m not even trying to write a book; I’m just hoping for a few lines!

Orange peel, mint, honey: 'grandad' tea in Krakow, Poland

But pause for a moment and think about this nothingness. For in this moment what I am allowing myself to experience is something precious: permission to witness nothing, be in a moment of nothingness. I have a burning in my stomach – like I did when I awoke at 4am last week and wrote (without any memory of writing) five pages of a monologue. This feeling is growing; there’s more of that monologue coming.

And this wouldn’t be happening if I hadn’t stopped, looked at that blank page, then looked at the blank screen. So, a week before the actual challenge, and I am thinking that my most beautiful thing is

listening to the silence inside

 

Edits: the problem of inner and outer worlds

I’m struggling with a tiny revision of a piece of fiction. I say tiny, because it involves the addition of one line. And yet this one line needs to convey a philosophical shift in focus whilst also building a momentum which will – later in the story – lead to a life-changing event.

How can I achieve this? I think of my character rather than the action or the pre-empting of this action. I think about how he is feeling, what he was hoping to get from this journey to the mountains.

Wicklow Mountains

I consider the unspoken emotion. I think of what is not articulated. The space in between the lines I am editing. Larry McMurtry talks about how he developed his notion of character from watching his father struggle against the mesquite.

Character came to mean struggling on in the face of hopeless odds: in that attitude lay the vital stubbornness of the pioneers who refused to acquiesce to the brute circumstances they were faced with daily: the hostile natives, the often unresponsive land, the destructive elements – flood, drought, fire. Some of your children might die, your lifestock might starve, the toil be toiled might be beyond your strength: but at least the land was yours, if you could just hold it. (Larry McMurtry, Walter Benjamin at the Dairy Queen: Reflections at sixty and beyond)

Time Passing

So what does this mean for my additional, life-changing line of fiction? Fiction reflects life struggles. And it became clear to me that a philosophical shift must indicate an authentic realisation of sorts. It is a dawning that the land, or whatever it is that you hold as yours is no longer, can no longer be yours.

It is how the inner world of my character reacts to this dawning that is the subtext. It is something beyond the words I write, something other, yet reflected in the reading.

And so, I’ll leave this line sit for a few days, even a week. I’ll return to it, after some travels and thoughts, sure that the subtext will have grown in my mind. (How it transforms onto paper is another thing altogether but the process has started)

The Joy of the Short Story

Stories: they are what keep us alive. I’ve been thinking about the power and joy of stories, short and long.

I’ve been reading a lot of short stories recently. From full collections to individual pieces published. Last night I really enjoyed a short non-fiction piece “Bridges and Tunnels” by Suzanne Farrell Smith published in The Kenyon Review.

And what great news that Kevin Barry won The Sunday Times Short Story Award 2012. Barry talks of writing from the ear….what a wonderful way to put it; the nuances and undefined things about us that make us who we are, that make our characters who they are.

Cover of Órfhlaith Foyle's short story collection

A few weeks ago I finished reading Órfhlaith Foyle’s Somewhere in Minnesota which has been long-listed for the Edge Hill Prize. I was moved so much both by the subject matter and the craft in Foyle’s writing that I wrote a short review of some of her stories for Mel Ulm’s superb Reading Lives blog.

I’m almost finished Larry McMurtry’s Walter Benjamin at the Dairy Queen which, as I dipping in and out of, feels like short snippets of jewell-filled imagery and memory. Wonderful stuff. As McMurtry iterates time and time again: memory and storytelling go hand in hand. Imagined and real memories.

It’s both fascinating and touching learning what readers see in your writing. It’s a joy. I’m honoured that Mel Ulm has discussed ‘The Illusion of Freedom’, an extract from my forthcoming composite novel Happiness Comes from Nowhere. This forms part of his discussions on Emerging Women Writers on Reading Lives Irish Short Story Week.

Later tonight, I’ll continue with McMurtry but then again, maybe I’ll put him down and pick up the latest Stinging Fly.  

Stories: they are what keep us alive. And are, themselves, very much alive. Here’s to the story tellers.

Inspirational Works and an old bridge

After I picked the image of one of Dublin’s most famous bridges – The Ha’penny Bridge – for the cover of Happiness Comes from Nowhere, I began thinking about all the memories I have of this bridge.

From the fear I had as child – which felt very real – that it would somehow crumble beneath my feet to the soaring within me when I saw the arches every time I returned home as an emigrant….

The Ha'penny Bridge on Happiness Comes from Nowhere

Putting the call out to others to share their memories – real or fictional – of the bridge has been so enjoyable. For many reasons: the sheer difference and vastness of the pieces submitted; the humour and darkness; there’s inspirational poetry and stunning prose.

So please, if you have a few moments, take a look at The Bridge of Happiness Comes from Nowhere (in the main section and in the comments section) and enjoy the wonderful pieces by writers such as Mike Horwood, Eithne Reynolds, Noel Duffy, Deborah Henry to name but a few…..

Book Covers and the Power inside them

I recently attended an event celebrating 75 years of Sociology in NUI Maynooth. The predominant theme amongst the speakers (President Michael D Higgins and Peadar Kirby), was that not only are we experiencing a world financial crisis but that the deepest crisis is an intellectual one.

It was a wonderfully inspiring event which left me thinking long and hard about the real role of literature in society. The President of Ireland Michael D Higgins told the audience that the social sciences have yet to achieve their best contribution. And on the path towards this contribution, we need to reclaim the word power whilst also embracing the unique insights that literature brings to us.

President of Ireland, Michael D Higgins

President Higgins recalled the discipline of sociology in 1970s USA which encouraged people to wear “ideological glasses through which one was looking at ones own people” and where there was a sense that “everything and everyone could be mapped and surveyed.” Missing from these teachings was the importance of original thought.

The key to combining the achievements of social activism and parliament is the delivery of equality not just the passing of laws. This is, of course, particularly relevant to gender in Irish society. In theory and in law, all is equal but in practice, we have a long way to go.

The President’s call to not keep our heads down or to accept being called “a little bit of a Marxist” can be perhaps borne out in the world of literature.

So why don’t we write about what is true in our lives, locally and internationally: the hardship, the struggles, the inequalities and the politics (corrupt and otherwise) which surround us all.

Let’s keep on building the towers of words and seeing the truth through literature. It can only empower.